Sports photography requires one to know 3 things, where to set up for getting the shot, which lens gives the best view of the shot, and the time delay of your camera.  A knowledge of the time delay gives you an edge over the guy next to you that is shooting in multiple shot mode.  If you have lots of opportunities to work with and only need one shot, go ahead and spray and pray. The trouble with that method is that a little timing errors, delays in writing, and the exposure itself,  over rides the accuracy of your camera’s shutter button.  That means that even if you know that you started the camera far enough in advance for the 3rd frame to be perfect, there is no way to reliably predict that the camera will expose that frame when you thought it would.  Think it out, if you are shooting in a multiple frame mode, at best you are shooting 10 frames per second (30 frames per second if in high def video mode).   That gives you a 10% chance of capturing the exact moment (33% for video) you want, and a 90% chance of missing it (67% for video).  The odds of getting exactly what you are aiming for are not in your favor and are much worse when you reduce the frame repeat rate.  Do you still want to spray and pray?

By shooting in single frame mode, you learn to adjust your own timing for the shutter delay inherent in your camera.  When your own timing is honed to a high level, you will know when to hit the shutter for best results.  You are no longer basing the timing of your exposure on the false assumption that the camera will be lucky.  You are in effect creating your own luck.

 

Some people get flustered when they go through their visitor statistics and see that there were multiple hits on their images or pages in a time frame that is humanly impossible.  I am not one of them.  Bots, spiders, crawlers, or any other name one wishes to use for the tools that search engines use to examine your site and its content are welcome to drop in on my site at any time.  If you exclude them, you miss the chance of having Google, Yahoo, Alta Vista, Dogpile or any other search engine recommending your site to others.  It doesn’t matter that the bots can’t buy your work, you are not going to lose any potential sales because a bot is on your site.

Let’s face it, if you have a web presence, you want others to be able to find you.  If you want anonymity, the world wide web is clearly not a place you should be.  To be reading this means that you have no problems in using technology to enhance your ability to increase your knowledge.  If you were not sent a message that this page was created, via twitter, facebook or direct email, then you can thank a bot for having found it and recommending it to you.

If only humans I know see my posts, it would make it very difficult for me to show off my creations.

Apr 192010
 

I’ve been shooting events. No real surprise there as the only events I prefer not to shoot are weddings (I prefer to select people I am going to shoot, without the added pressure of a “mostly” once in a lifetime affair, but I will work as a second shooter for my wife). When preparing to shoot an event, there are many things to consider:

Venue – These range from huge outdoor areas to cramped rooms packed tightly with people. Many don’t allow flash. Some require all people that have “pro gear” (more often than not pro gear is a camera with a big lens on it) to either be registered or have a media pass.

Lighting – Light changes constantly out doors, but not nearly as much as some venues for dancing. In harsh sunlight, you need to use fill flash or try to shoot your subjects in areas of diffuse light. At low light level dances, even if the use of flash is permitted, you may want to use a high ISO to minimize the impact the flash will have on your subjects. Stoffen or Gary Fong filters used on your flash will give more diffuse light for most situations. Bounced flash is often used, but in order to use it well, you have to be aware of ceiling height (or bounce your light off of a white shirt (unless you can manage to get someone to hold a reflector). The lighting also determines your ISO and white balance choices.

Type of Event – This dictates your lens, shutter speed, and where you will place yourself. Shooting sports from bleachers requires a longer lens than the dance floor at a nightclub. A fast shutter speed is not often necessary to capture a politician at a campaign rally, but is required if you want to catch the water spray as a diver enters a pool. If taking candid shots, you don’t stand in the middle of the action.

ISO choice – This can be forced upon you by the lighting or speed of the action. I sometimes choose my ISO because i want the overall feeling I am attempting to achieve to be something different. I tend to shoot Swing bands and dancers using a very high ISO so I can get noise that simulates film grain, the result of which is more reminiscent of the images from the 1940′s.

Swing Dancers

Event photography for me is not simply recording an instant of time, it is making that moment’s emotional impact a bit more easily felt. The above photo would not have the same impact had I shot and processed it to be a a color, non vignetted shot.

 

Have you ever thought seriously about what you will or will not photograph.  How do you make the distinction between shooting weddings and shooting events?  If you shoot model portfolios, why won’t you shoot me?  Should you shoot first and ask for a release later?  These are some of the questions I have asked or been asked.  If you want to know what to shoot, all you need to do is look at the things you find interesting and use your camera to tell us who, what, where, or why.

I choose to shoot things I find either interesting, emotionally compelling, or funny.  I started out shooting sports.  I found the challenge of getting the shutter tripped at the peak moment of interest, the contact of the foot with the ball in soccer, the ball leaving the pitchers hand, the kayak at the highest moment of an ender, quite enjoyable.  I later chose to shoot landscapes, and learned to be patient and wait for the clouds to form around the peaks, or the rainbow to appear.  I shot scientific apparatus in use, fires, model rocket launches and just about anything I could get focused on in nature.  I shot cemeteries and dedication ceremonies.  I shoot often with an alien as my subject matter these days (to show that tourism is a universal concept).  What I choose to not shoot are minors, and most holiday style photos.  In short, if it had some sort of personal impact on me, I shot it.

Wedding photography requires the photographer to have good rapport with people that are entrusting him to produce photos that can not be redone at one of the most stressed out days they will be having.  Since early on I decided that I would only produce photographs for my own enjoyment, weddings was not my gig.  Other events on the other hand, often have an element of fun involved, and often have more than one person shooting so you don’t have to worry about missing something significant (like the cake cutting, bouquet toss, or the groom passing out from too much alcohol).

To keep my print portfolio up to date, I often shoot people.  l prefer shooting people that I have asked to shoot.  I do not like to shoot every body that asks me to shoot them.  In other words, if you are asking me to shoot and you are on the list I have of people I want in my portfolio, you will automatically be given a date and time to shoot.  If you aren’t on the list, I will either give you my rate or recommend you shoot with my wife ( a highly skilled photographer with reasonable rates and a much better disposition).  If I have asked you to shoot and you agree but do not show up without a phone call, I will not be asking you to another shoot, but I will quote you a rate if you later ask me.  If you have to cancel a shoot with me and call me, I will be inclined to reschedule.

If I am shooting for a concept I may be able to sell, I try to get a release prior to shooting any photos.  Most of my other shoots, a release is not going to be needed.  Releases do not always mean you are shooting models.  Houses, cars, and pets can also be items for which a release may be necessary.

Have fun and keep shooting!

 

All photographs are lies of omission.  That is to say  that no single photograph can contain all of the scene’s information due to the limitations of the medium.  Good print makers learn how to make an image appear to be complete.  But I will get into that in a later blog.  Today I would like to define the different types of photography.

Nature photography is an attempt by the photographer to depict the natural world around us.  In theory, the hand of man is not to be evident in the final result.  In practice, the hand of man is often used quite heavily to perform this kind of work.  Often branches are moved out of the way, sometimes via pruning.  Strobes are often used to ensure the elusive target has been rendered motionless enough to remain in focus.  Some nature photographers that shoot insects actually capture the bugs and chill them so they will be sluggish and won’t just fly out of frame.  There are others that rely upon captive animals because an encounter with the creature could be extremely detrimental for the survival of either party.  Serious nature photographers do not shoot domesticated plants or animals (at least not with their camera).

Journalistic photography is the style that most people equate with the adage “a picture is worth a thousand words”.  The photographer is not supposed to do any nonessential manipulation of the image in post production (don’t add smoke, change skin tones or eliminate the village idiot saying hi to his mother from the background).  Preproduction and staging of the photographs in this genre has been known to happen without serious repercussions.  Many of the Brady Civil War Photographs had bodies  moved  to make the frame more dramatically balanced.  On top of that, government leaders rarely miss an opportunity to portray themselves in a positive light.  The aim of the journalistic photographer is to pack as much honesty into the photo as possible.

Landscape photographs are usually either highly manipulated in post process (High Dynamic Range) or the photographer was extremely patient (or just plain lucky).  Light and weather play a large role in making these images of Earth appealing.  Landscape photographers tend to work in the golden hours, shortly before sunrise and about 2 hours after it and the  2 hours before sunset and a bit after that.  During mid day they  scout out locations they would like to shoot, travel to the next shot, or nap.  Although lots of landscape photographers don’t like them, post cards and calendars depend heavily on their services.

Cityscapes are similar to landscapes, but show off the architectural efforts of man.  These shooters often get to shoot at night, as city lights can be more interesting objects than the buildings by themselves.  One big advantage of night photos, the trash doesn’t show up as easily.  The biggest disadvantage of shooting city scenes at night is that the dregs of society like to prey upon distracted people and camera equipment fences easily.  Post processing of cityscapes is often done to make the city look better.

Fashion photography is often thought of by potential models as the high end of modeling.  In reality, fashion models are walking clothes racks being used to show off the apparel.  The main reason tall models are chosen for this work is that on a runway, a tall model’s clothes can be seen from the back of the room.  Odd posing angles are often the result of trying to get as much of a single girl and her outfit in the frame without distorting the shape of the clothes.

Aside from fashion, where tall models rule, all other types of photography has no required body type.  Catalogs and most other kinds of commercial photography use models to show off the product and since no parade is being put on, height does not matter for these kinds of shots.

Environmental photography is not shooting to appease the tree huggers.  It is shooting a person or object in the vicinity of where they are normally found.  Bathrooms, barstools, and casino interiors are not usually involved in these shots, but they are not ruled out.  These shots are often found in brochures and company reports.  Models are often used in these situations if the photograph is going to be used as part of the advertising campaign or equipment manual.  Wedding photography would fall into a subset of environmental photography as the goal is to showcase the happy couple within the area of the event.

Boudoir photography and glamor photography are similar, yet the goal of each is different.  In boudoir the photographer is supposed to be creating a dreamy romantic scene that leads the viewer towards an illusion.  Sex is merely hinted at and not an overt part of the scene.  Glamor can be done on any boudoir set, but boudoir can not be done on every glamor set.  The most important thing to remember about shooting boudoir is that the photograph should reflect anticipation of an intimate occurrence, not the real thing, so implied nudity is preferred for these shots over nudity itself.

Glamor shots are all about desire.   It is the model’s expression that sets the over all tone for a successful glamor shot.  It should elicit a high level of excitement when the shot is viewed.  These are the kinds of shots used for advertising as when you get excited about a the model (or the product) you tend to equate that level of excitement with a reason to buy.  Glamor shots can be done in any attire including lingerie, evening wear, or nude, but the clothing or lack of clothing is not as important as the eye contact the model makes with the camera.  Many photographers forget that it is a come hither look for potential sex that makes these shots work, not the state of dress and definitely not actual sex.

Portraiture is done a lot, and a lot of it is done poorly.  Portraits should instill a sense of who the person is in the photograph.  Many of the ones I see are more like a deer in the headlights look or you can sense the hand trying to get in position to block the camera.  Posing should be done to create the tone of a good portrait.  The pose can be formal or informal, but I am tired of looking at flat lit, red eyed pictures of people with a very cluttered background.  Portraiture will be looked at in more detail in another post.