I used to think nothing much of hiking out with a 60 lb. pack and an additional 25 lbs of camera gear just to enjoy the great outdoors.  I made it to some fantastic places that few others have gone and only a small number of those had a camera with them.  I would take a couple of prime lenses, several zooms and 2 bodies when I shot film, as that enabled me to shoot nature in all her glory at the scales I found most pleased my eye.  Since my interest was piqued by the macro world,  landscape, seascape, cityscape, any size animal or plant and people, I felt most comfortable being prepared for anything.  I would take backgrounds and studio lights to shoots.  I never thought anything would get in my way or slow me down.  I carried most of the same lenses when I switched over to digital photography.  My interests were still the same, so keeping the ability to choose on the go seemed logical.  About 5 years ago, my knees announced to my body, “ENOUGH ALREADY!!!”

I was about half a mile from “The Wave” hiking out of Paria Canyon when my right knee buckled for no apparent reason.  I sat down for a few minutes, then pressed onwards.  My pace was about half that of the hike in and I had enough water to make it out with no problem, but I knew from the way my knee was feeling that something was not right and getting worse.  By the time I got to the halfway point, both knees were letting me know that they were not going to be kind to me.  Although I had left “The Wave” in what ordinarily would have been plenty of time to be back to the car by sun down, this time it was about an hour after sunset before I managed to reach my truck.  Such was my introduction to the wonderful world of Arthritis!  Each day has been a battle ever since then.

It has forced me to make sacrifices in my approach to photography.  The first to go were my kayak and canoe which I had used for capturing whitewater action.  It was no longer practical to carry either one and I felt as if that was a change I could deal with, besides with a right shoulder that was getting accustomed to being dislocated at least 2 times a year and a left one that had already been rebuilt, they were becoming a bit of a drag.  My knees demanded more.  I sold my heaviest lens.  That was not enough!  I stopped doing most of the glamor shoots, as the lighting equipment was getting too heavy for me to set up, shoot and take down.  Still my knees were not satisfied!  I stopped carrying prime lenses and reduced the number of zooms.  My knees were still angry with me!  I now use a bag that holds either the camera and a lens or the camera and a flash.  It hasn’t helped reduce the pain.

My battle with Arthritis has been fought using everything I could find that had a greater than 50% chance of providing relief and could back up the claim with actual peer-reviewed science.  I do not like pseudoscience.  I tried some of the “remedies that others swear by, but found them useless at improving my symptoms and a drain on my wallet!  The RICE principle (Rest, Ice, Compression and Elevation) provided the best outcome early on, but due to the nature of the disease it is not as effective these days.  I have used Acetaminophen, Aspirin, Ibuprofen, Naproxen Sodium and COX2 Inhibitors over time and found them to be wanting in both actual relief and more irritating to my stomach.  I do exercises to keep my range of motion and try to maintain as much strength as possible.  The only medication that has actually provided relief, although only for a 2 month period at a time, has been Synvisc (Hylan G F 20).  Unfortunately it is only given at 6 month intervals, which means that I get to suffer for 8 months out of the year!  At least with Synvisc, I do not need to take pain medication!  The downside of Synvisc is that each time it has worn off, my knees seem to hurt more than they did the week prior to the injection.

Since photography is the art form I used to use to alleviate stress, I find it very stressful these days when I pick up my camera during the 4 month period of pain I am forced to endure.

 
 June 30, 2010  Posted by Habenero at 9:57 pm General Notice  No Responses »

Photography is a passion of mine, a labor of love.  The thought of creating images directly for others has never lingered long in my mind.  The reason for this is quite simple, as a control freak, I do not want anybody telling me what or when I should pick up my camera.  I like to consider myself as a fine art photographer.  I shoot subjects of my own choosing and create images that I find appealing.  My images are often created as a means of relieving my tension.

When I do consent to shoot for a client, there are several reasons for it.  If I find the task interesting, for instance the images are of an industrial nature (I am always interested in how things are done).  When the location is exotic or close enough to a place I have always wanted to go, I will be glad to shoot.  Or if the client is somebody I would like to shoot, It is almost impossible to say no to them (unless they want me to shoot a wedding, in which case I would refer them to my wife who is a much better wedding photographer).

Work is a four letter word.  I prefer to do a job that I am interested in.  Life is way too short to spend long hours doing things you don’t like, just for a pay check.

 

Some people get flustered when they go through their visitor statistics and see that there were multiple hits on their images or pages in a time frame that is humanly impossible.  I am not one of them.  Bots, spiders, crawlers, or any other name one wishes to use for the tools that search engines use to examine your site and its content are welcome to drop in on my site at any time.  If you exclude them, you miss the chance of having Google, Yahoo, Alta Vista, Dogpile or any other search engine recommending your site to others.  It doesn’t matter that the bots can’t buy your work, you are not going to lose any potential sales because a bot is on your site.

Let’s face it, if you have a web presence, you want others to be able to find you.  If you want anonymity, the world wide web is clearly not a place you should be.  To be reading this means that you have no problems in using technology to enhance your ability to increase your knowledge.  If you were not sent a message that this page was created, via twitter, facebook or direct email, then you can thank a bot for having found it and recommending it to you.

If only humans I know see my posts, it would make it very difficult for me to show off my creations.

 

I refer to myself as a Fine Art Photographer. Some people describe Fine Art Photography as a nude shot in monochrome. Another description that is bandied about is out of focus images of uninteresting subjects. Here in the Southwest, some gallery owners would describe Fine Art Photography as scenes reminiscent of the glorious past. None of those definitions fit my work. I shoot nudes that may be incorporated into other works, but monochrome nudes are not part of the portfolio I would publish. My out of focus works, I discard. The past I find interesting, but not interesting enough to devote much time for my art.

Art requires an ability to convey emotional impact of some sort, nostalgia, joy, sorrow, love, etc., many of my images have that impact to me. My camera records images that I later process into the works you can see. Where most people consider photographs to be truthful renditions of a scene, I do not. Images that I produce take advantage of the lie of omission all printed images have, so as to improve the likelihood that a specific emotion will be recalled or felt. In other words, I exploit the lie and sometimes embellish it because abstracts of some objects are more interesting to me. I also combine images and parts of images, as a way of expressing communication with our surroundings

Art photography is more personal than commercial photography. Either one exhibits the character and style of the photographer, but when the photograph is produced for a particular client, the photographer becomes limited to making a technically masterful work that the client must like. A Fine Art Photographer produces works primarily for his own gratification, if anyone else likes a piece well enough to buy it, all the better! The work I exhibit is not produced with any specific goal other than to please me. I am glad to show it and if you like it enough to want it hanging in your home, contact me or visit my sales site at Fine Art America.

 

Have you ever thought seriously about what you will or will not photograph.  How do you make the distinction between shooting weddings and shooting events?  If you shoot model portfolios, why won’t you shoot me?  Should you shoot first and ask for a release later?  These are some of the questions I have asked or been asked.  If you want to know what to shoot, all you need to do is look at the things you find interesting and use your camera to tell us who, what, where, or why.

I choose to shoot things I find either interesting, emotionally compelling, or funny.  I started out shooting sports.  I found the challenge of getting the shutter tripped at the peak moment of interest, the contact of the foot with the ball in soccer, the ball leaving the pitchers hand, the kayak at the highest moment of an ender, quite enjoyable.  I later chose to shoot landscapes, and learned to be patient and wait for the clouds to form around the peaks, or the rainbow to appear.  I shot scientific apparatus in use, fires, model rocket launches and just about anything I could get focused on in nature.  I shot cemeteries and dedication ceremonies.  I shoot often with an alien as my subject matter these days (to show that tourism is a universal concept).  What I choose to not shoot are minors, and most holiday style photos.  In short, if it had some sort of personal impact on me, I shot it.

Wedding photography requires the photographer to have good rapport with people that are entrusting him to produce photos that can not be redone at one of the most stressed out days they will be having.  Since early on I decided that I would only produce photographs for my own enjoyment, weddings was not my gig.  Other events on the other hand, often have an element of fun involved, and often have more than one person shooting so you don’t have to worry about missing something significant (like the cake cutting, bouquet toss, or the groom passing out from too much alcohol).

To keep my print portfolio up to date, I often shoot people.  l prefer shooting people that I have asked to shoot.  I do not like to shoot every body that asks me to shoot them.  In other words, if you are asking me to shoot and you are on the list I have of people I want in my portfolio, you will automatically be given a date and time to shoot.  If you aren’t on the list, I will either give you my rate or recommend you shoot with my wife ( a highly skilled photographer with reasonable rates and a much better disposition).  If I have asked you to shoot and you agree but do not show up without a phone call, I will not be asking you to another shoot, but I will quote you a rate if you later ask me.  If you have to cancel a shoot with me and call me, I will be inclined to reschedule.

If I am shooting for a concept I may be able to sell, I try to get a release prior to shooting any photos.  Most of my other shoots, a release is not going to be needed.  Releases do not always mean you are shooting models.  Houses, cars, and pets can also be items for which a release may be necessary.

Have fun and keep shooting!