Cheap access to powerful camera equipment makes it so anybody that wants to call themselves a photographer does so. The big camera manufacturers, Nikon, Canon, Pentax, etc., have put a lot of effort into figuring out what and how most people shoot and their latest cameras are designed to enhance those aspects of photos. When a photo straight out of the camera looks good, the logical question follows, Why should I pay someone to take a picture I can do myself? Is there a reason to hire a photographer? Can’t everyone with a good camera take great pictures?

You should never hire a photographer to take a picture you yourself could do! You do not hire a photographer because his camera is better than yours, it may not be. You do not hire a photographer just because you need someone to push the button on a camera. You hire a photographer that has a particular style of work you like. The artistic vision of a photographer is his knowledge of what his camera can do, what types of poses fit the occasion, and the kind of post processing he or his lab performs. Photographers look not only at the subject, but also at the details in the background, foreground, and middle ground and use their choices of white balance, ISO, shutter speed, f-stop, and sense of timing to create their shot. You hire a photographer because you like what they create out of a scene.

Equipment is not capable of compensating for mistakes like; the lamp post growing out of Uncle Bob’s head, the garbage can just behind the banquet table, or the toilet seen in the mirror the bride is using to apply her makeup. Your photographer should see those things and adjust the shot to compensate (they will not be in his direct from camera shots). The most expensive camera when placed in the hands of a novice will produce pictures that look like they were shot by a novice. A good photographer, can take just about any camera and compose a shot that looks great.

The best photographers get great shots consistently right out of the camera, but will still have a bit of post processing done. Photoshop, Gimp or some other software will be used to ensure that skin tones will be correct in all shots, that minor blemishes not already concealed by makeup are hidden, and that the look of the images remains consistent. Be wary of any photographer that does not do any post production work.

Some photographers create works of art! Even if you know where a particular shot was done, and the time of day, you may not be able to capture a shot similar to the one done by a photographic master. Cameras set in “program” mode with auto white balance are by nature, going to give a good exposure for skin tones. Most great landscapes come out rather poorly when shot that way. Overly red or orange scenes throw off the camera’s sensor, similarly, so will overly dark or overly light scenes. There is far more to taking a picture than pushing a button. If you see a photographic work that you like, buy it! If it is one of mine, I will gladly tell you how I created it! I assure you, since all photos tell lies (if only of omission), telling how I created the image you see is the only way you will find out the truth the image conveys!

 

Have you ever thought seriously about what you will or will not photograph.  How do you make the distinction between shooting weddings and shooting events?  If you shoot model portfolios, why won’t you shoot me?  Should you shoot first and ask for a release later?  These are some of the questions I have asked or been asked.  If you want to know what to shoot, all you need to do is look at the things you find interesting and use your camera to tell us who, what, where, or why.

I choose to shoot things I find either interesting, emotionally compelling, or funny.  I started out shooting sports.  I found the challenge of getting the shutter tripped at the peak moment of interest, the contact of the foot with the ball in soccer, the ball leaving the pitchers hand, the kayak at the highest moment of an ender, quite enjoyable.  I later chose to shoot landscapes, and learned to be patient and wait for the clouds to form around the peaks, or the rainbow to appear.  I shot scientific apparatus in use, fires, model rocket launches and just about anything I could get focused on in nature.  I shot cemeteries and dedication ceremonies.  I shoot often with an alien as my subject matter these days (to show that tourism is a universal concept).  What I choose to not shoot are minors, and most holiday style photos.  In short, if it had some sort of personal impact on me, I shot it.

Wedding photography requires the photographer to have good rapport with people that are entrusting him to produce photos that can not be redone at one of the most stressed out days they will be having.  Since early on I decided that I would only produce photographs for my own enjoyment, weddings was not my gig.  Other events on the other hand, often have an element of fun involved, and often have more than one person shooting so you don’t have to worry about missing something significant (like the cake cutting, bouquet toss, or the groom passing out from too much alcohol).

To keep my print portfolio up to date, I often shoot people.  l prefer shooting people that I have asked to shoot.  I do not like to shoot every body that asks me to shoot them.  In other words, if you are asking me to shoot and you are on the list I have of people I want in my portfolio, you will automatically be given a date and time to shoot.  If you aren’t on the list, I will either give you my rate or recommend you shoot with my wife ( a highly skilled photographer with reasonable rates and a much better disposition).  If I have asked you to shoot and you agree but do not show up without a phone call, I will not be asking you to another shoot, but I will quote you a rate if you later ask me.  If you have to cancel a shoot with me and call me, I will be inclined to reschedule.

If I am shooting for a concept I may be able to sell, I try to get a release prior to shooting any photos.  Most of my other shoots, a release is not going to be needed.  Releases do not always mean you are shooting models.  Houses, cars, and pets can also be items for which a release may be necessary.

Have fun and keep shooting!

 

All photographs are lies of omission.  That is to say  that no single photograph can contain all of the scene’s information due to the limitations of the medium.  Good print makers learn how to make an image appear to be complete.  But I will get into that in a later blog.  Today I would like to define the different types of photography.

Nature photography is an attempt by the photographer to depict the natural world around us.  In theory, the hand of man is not to be evident in the final result.  In practice, the hand of man is often used quite heavily to perform this kind of work.  Often branches are moved out of the way, sometimes via pruning.  Strobes are often used to ensure the elusive target has been rendered motionless enough to remain in focus.  Some nature photographers that shoot insects actually capture the bugs and chill them so they will be sluggish and won’t just fly out of frame.  There are others that rely upon captive animals because an encounter with the creature could be extremely detrimental for the survival of either party.  Serious nature photographers do not shoot domesticated plants or animals (at least not with their camera).

Journalistic photography is the style that most people equate with the adage “a picture is worth a thousand words”.  The photographer is not supposed to do any nonessential manipulation of the image in post production (don’t add smoke, change skin tones or eliminate the village idiot saying hi to his mother from the background).  Preproduction and staging of the photographs in this genre has been known to happen without serious repercussions.  Many of the Brady Civil War Photographs had bodies  moved  to make the frame more dramatically balanced.  On top of that, government leaders rarely miss an opportunity to portray themselves in a positive light.  The aim of the journalistic photographer is to pack as much honesty into the photo as possible.

Landscape photographs are usually either highly manipulated in post process (High Dynamic Range) or the photographer was extremely patient (or just plain lucky).  Light and weather play a large role in making these images of Earth appealing.  Landscape photographers tend to work in the golden hours, shortly before sunrise and about 2 hours after it and the  2 hours before sunset and a bit after that.  During mid day they  scout out locations they would like to shoot, travel to the next shot, or nap.  Although lots of landscape photographers don’t like them, post cards and calendars depend heavily on their services.

Cityscapes are similar to landscapes, but show off the architectural efforts of man.  These shooters often get to shoot at night, as city lights can be more interesting objects than the buildings by themselves.  One big advantage of night photos, the trash doesn’t show up as easily.  The biggest disadvantage of shooting city scenes at night is that the dregs of society like to prey upon distracted people and camera equipment fences easily.  Post processing of cityscapes is often done to make the city look better.

Fashion photography is often thought of by potential models as the high end of modeling.  In reality, fashion models are walking clothes racks being used to show off the apparel.  The main reason tall models are chosen for this work is that on a runway, a tall model’s clothes can be seen from the back of the room.  Odd posing angles are often the result of trying to get as much of a single girl and her outfit in the frame without distorting the shape of the clothes.

Aside from fashion, where tall models rule, all other types of photography has no required body type.  Catalogs and most other kinds of commercial photography use models to show off the product and since no parade is being put on, height does not matter for these kinds of shots.

Environmental photography is not shooting to appease the tree huggers.  It is shooting a person or object in the vicinity of where they are normally found.  Bathrooms, barstools, and casino interiors are not usually involved in these shots, but they are not ruled out.  These shots are often found in brochures and company reports.  Models are often used in these situations if the photograph is going to be used as part of the advertising campaign or equipment manual.  Wedding photography would fall into a subset of environmental photography as the goal is to showcase the happy couple within the area of the event.

Boudoir photography and glamor photography are similar, yet the goal of each is different.  In boudoir the photographer is supposed to be creating a dreamy romantic scene that leads the viewer towards an illusion.  Sex is merely hinted at and not an overt part of the scene.  Glamor can be done on any boudoir set, but boudoir can not be done on every glamor set.  The most important thing to remember about shooting boudoir is that the photograph should reflect anticipation of an intimate occurrence, not the real thing, so implied nudity is preferred for these shots over nudity itself.

Glamor shots are all about desire.   It is the model’s expression that sets the over all tone for a successful glamor shot.  It should elicit a high level of excitement when the shot is viewed.  These are the kinds of shots used for advertising as when you get excited about a the model (or the product) you tend to equate that level of excitement with a reason to buy.  Glamor shots can be done in any attire including lingerie, evening wear, or nude, but the clothing or lack of clothing is not as important as the eye contact the model makes with the camera.  Many photographers forget that it is a come hither look for potential sex that makes these shots work, not the state of dress and definitely not actual sex.

Portraiture is done a lot, and a lot of it is done poorly.  Portraits should instill a sense of who the person is in the photograph.  Many of the ones I see are more like a deer in the headlights look or you can sense the hand trying to get in position to block the camera.  Posing should be done to create the tone of a good portrait.  The pose can be formal or informal, but I am tired of looking at flat lit, red eyed pictures of people with a very cluttered background.  Portraiture will be looked at in more detail in another post.